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But while the visuals look slick, the story is really all too old and the presentation feels jaded. Sanjay Gupta has brought in all his trademark moves, the green tinge, the slow motion shots and the jumpy editing. Good actors in a not so good film, is a scenario all too common in Hindi cinema. But the pain still doesn’t reach the audience. Verdict - Behind the pile of evidence files, lies an emotionally drained and wrecked mother. Ash makes a decent comeback with this one. Verdict - Jazbaa is a fairly entertaining thriller. On the whole, JAZBAA is a captivating thriller with good performances that make it a decent one-time watch. Gupta, known to be sounder with technique than story-telling (many of his films have been foreign inspirations), has got it right this time. Last Word: The film is riveting and for a change Sanjay Gupta succeeds in making a film which eschews unnecessary melodrama. Whether it's the performances, the characters, the motive, or the storytelling-there are traces of jazbaa everywhere. Despite the story being highly far-fetched, the film is still arresting for its pacy storytelling, actors who perform with conviction, and a few interesting surprises in the finale. You won't find a well-crafted thriller that's more fun to feminists out there than Jazbaa. It is 'just' the thriller the fans were waiting for because murder mysteries and investigative procedurals are enthralling in the darkened theatre. But all said and done, Sanjay Gupta's Jazbaa will leave a mark on you. Unlike other Sanjay Gupta movies, this one lacks a chartbuster. I think the only weak spot is the film's music. Sameer Arya's cinematography shows Mumbai in a gritty avatar. Aishwarya Rai and Irrfan will take you to a new territory and then keep you there for most of its 130-minute duration.
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Jazbaa is a film which thrives on style and Gupta knows how to present a thriller. Overall, JAZBAA is a well-made film true to its genre. That aspect is a weak link in this whodunit. What is jarring though is Jackie Shroff's character as a powerful politician. The suspense is taut as Gupta keeps oscillating from the courtroom to the crime scene to establish the motives and alibis of the different characters. What to do: If you enjoy whodunits, watch it. An edge of the seat thriller that delivers because of Aishwarya Rai Bachchan and Irrfan Khan’s able performances, Jazbaa won’t disappoint. So starved are we for roles that mean something, more so for the lead lady. It is a good restart.Īnd I would say that even if it were a film-made far worse. She has come back to some causes, like girl-child fetocide and drug abuse, even if they aren't well-placed in the context of the story. She has come back to roles that mean something even if they don't make for great films. Looks like she has left the Dhoom 2s and the Robots behind her. It is symbolic because she hasn't come back to where she left off. Irrespective of the success of this film, I am glad she is back. Her performances have rarely inspired a word other than “plastic” from me. As far as those bewildered, supposedly pain-stricken eyes go - no amount of shrieking over one's lungs can cover the fact that they have been artificially dampened.Įven so I am excited about her return. Her over-powering screen presencedoesn't cover up for the hard-to-lose model-like gait. She is so fit, her back so straight that even the drooping shoulders of a mother whose daughter has been kidnapped looks like a forced slouch – for effect. Unfortunately, they are both distracting. The hard work on both her fitness and performance show. The film opens with showing her fit, in fine form, pretty as ever with a lovely, slightly chubby face that which comes with aging gracefully and being a mommy.
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A line that has been worked upon too hard loses charm.Įxactly like our lead lady's performance Aishwarya Rai Bachchan. The lines given to him are actually not bad, but they are overdone. Yet, give me a always poker-faced, subtle Irrfan any time and over and over again, over a stereotypical over-the-top “top” star. The cracks that Irrfan's straight-faced dialogue delivery tries hard to keep under cover. Here the superficiality begins to show through the cracks.
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Meanwhile, you also have the swag-infused philosophies that Yohaan ( Irrfan Khan) spouts. Its a shame because the plot is not entirely nonsensical until about three-fourths of the length of the film. In fact, more so after you know who's done it after all. Who goes after whom for what makes little sense, even after you know how it all ends. But two things come in the way of this decent start, a muddled middle and an flummoxing end. You wonder how even a successful advocate like Anuradha Verma ( Aishwarya Rai) will get out of the soup that she has been pulled into. The dilemma setup and the whodunit aspects of the story create intrigue.